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SERTEC Invitations have been sent; thanks to everyone who submitted proposals!
Updated list of Artists, Ensembles, and Clinicians will be available late January 2024

Confirmed Performers and Presenters

William Beach, Nick Beltchev, Joshua Bishop, Douglas Black, Chris Bloom, Bruno Brandalise Leonardi, Isaac Brinberg, Aaron Campbell, Jim Cipriano, Steven Dixon, Jason Donnelly, Ryan Evans, Todd French, Adam Frey, Jorge Gauvin Caraballo, Nathan Gay, Jared Gilbert, David Gonzalez, Charles Goodman, James Green, Joanna Hersey, Matt Hightower, Andrew Hitz, Alexander Lapins, Ian Lester, PrestonLight, Angelo Manzo, RyanMatejek, Samuel McHenry, Ed Owen, Donald Palmire, Allen Parrish, Christopher Pearlberg, Richard Perry, Blake Ryall, Chris Schmidt, Amy Schumaker-Bliss, Chris Seay, Corey Sherman, MatthewShipes, Stephen Shoop, Brandon Smith, Ryan Sorenson, Remus Webb, Justin Weis, Jarrod Williams, Stephanie Ycaza


Confirmed Performing Ensembles

Boneyard Brass Band, Funk-in-1st Inversion, Hidden Perspectives, Jacksonville State University Tuba Euphonium Ensemble, Low Blows, Low Tide-The University of Alabama Tuba-Euphonium Octet, Miami-Low Frequency Ensemble, Palmetto Tuben - Tuba Quartet Works by Diverse Composers, The KSU Tuba-Euphonium Ensemble, The Renegade Eight-Florida State University, The Sequence Quartet, The Troubled Euphs Chamber Recital, University of Kentucky Graduate Quartet, University of Kentucky Tuba-Euphonium Ensemble, University of North Florida Tuba Euphonium Ensemble, University of Tennessee-Knoxville Tuba/Euphonium Ensemble, VSU Tuba and Euphonium Ensemble, Western Kentucky University Tuba Euphonium Ensemble, Winnfield Quartet, YPAS Youth Performing Arts School Tuba-Euphonium Ensemble

 

Confirmed Presentations
 

  • 9 Strategies for Building Momentum in the Practice Room

  • Arranging for Tuba and Bass trombone in diverse styles - Entrepreneurship through Low Brass Arranging

  • Be a Better Teacher: Apply Learning Theories to Enhance Brass Performance and Pedagogy

  • Freelance 101: How to make a living in music outside of academia and full-time ensembles

  • From Bel Canto to Bel Suono: Improving Legato Technique on Tuba and Euphonium

  • "She Begged Me to Let Her Take Up the Bass:" Jazz, Tubas, and the 1930s

  • So you got the gig, now what?

  • Teaching the Trombone: A Guide for Tuba Professionals

  • The Freelance Teaching Career

  • The Most Perfect Instrument Manufactured: An Examination of Double-Bell Euphonium Marketing

  • To The Box- The Incorporation of Paramount Low Brass Pedagogies in Drum Corps and the Marching Arts

  • Un-muddying the Water: Composing Effectively for Tuba/Euphonium Chamber Ensembles

  • Wind Bass: A Guide to Playing Bass Lines on the Tuba

  • You don’t know what you don’t know!

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